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Your selections:
Pleasure, disaffection, ’conversion’ or rejection? The (limited) role of prefiguration in shaping audience engagement and response
- Michelle, Carolyn, Davis, Charles H., Hardy, Ann L., Hight, Craig
Framing audience prefigurations of The Hobbit: An Unexpected Journey: the roles of fandom, politics and idealised intertexts
- Davis, Charles H., Michelle, Carolyn, Hardy, Ann, Hight, Craig
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